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	<title>Life in the 1920s &#187; Art</title>
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		<title>American Drama 1916 Part 2</title>
		<link>http://1920-30.com/blog/american-drama-1916-part-2/</link>
		<comments>http://1920-30.com/blog/american-drama-1916-part-2/#comments</comments>
		<pubDate>Thu, 21 Sep 2006 00:22:15 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[drama]]></category>

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</script><p>WHAT was needed to remake the theater was not better managers, better actors, better playwrights, butâ€”fore and aftâ€” that same sixth sense, a &#8220;national consciousness&#8221; that would enable us to distinguish the better ones when we saw them. We needed to think &#8220;theater&#8221; in America, not solely as a place for entertain... <a href='http://1920-30.com/blog/american-drama-1916-part-2/' rel="nofollow">continued here</a></p>]]></description>
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		<title>American Drama 1916 Part 1</title>
		<link>http://1920-30.com/blog/american-drama-1916-part-1/</link>
		<comments>http://1920-30.com/blog/american-drama-1916-part-1/#comments</comments>
		<pubDate>Wed, 20 Sep 2006 01:34:09 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
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		<description><![CDATA[<p>A SPECIAL YEAR OF AMERICAN DRAMA:
BY EDITH J. R. ISAACS
(Chairman American Drama Committee, Drama League of America)
IN China, any man who writes an unmoral play is threatened by the social religious code with a purgatory lasting as long as his play continues to be produced. This is exactly as it should be. It is a delightfully simple and obvious m... <a href='http://1920-30.com/blog/american-drama-1916-part-1/' rel="nofollow">continued here</a></p>]]></description>
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		<title>Coles Phillips &#8211; Illustrator</title>
		<link>http://1920-30.com/blog/coles-phillips-illustrator/</link>
		<comments>http://1920-30.com/blog/coles-phillips-illustrator/#comments</comments>
		<pubDate>Sat, 12 Aug 2006 10:08:10 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[coles philips]]></category>
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		<description><![CDATA[<p>The originator of the Fadeaway Girl is not of the long-haired, flowing bow-tie variety of artists, but prides himself on his practicality and enjoys having his friends call him &#8220;sane and business-like,&#8221; which he is. He lives in New Rochelle, the New York suburb which now has another claim to fame than the fact that it is &#8220;Forty-Fi... <a href='http://1920-30.com/blog/coles-phillips-illustrator/' rel="nofollow">continued here</a></p>]]></description>
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		<title>Renee Prahar, Sculptor &#8211; 1922 Article</title>
		<link>http://1920-30.com/blog/renee-prahar-sculptor-1922-article/</link>
		<comments>http://1920-30.com/blog/renee-prahar-sculptor-1922-article/#comments</comments>
		<pubDate>Thu, 27 Jul 2006 10:23:12 +0000</pubDate>
		<dc:creator>admin</dc:creator>
				<category><![CDATA[Art]]></category>
		<category><![CDATA[renee prahar]]></category>
		<category><![CDATA[sculptor]]></category>

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		<description><![CDATA[<p>A PioneerÂ in the fantastic and the grotesque, is what Henry McBride, the art critic, calls Renee Prahar, the sculptor. And a New York gallery is showing so much of her work as to support the attribution.
&#8220;Nothing could seem stranger in descriptionâ€”to prove so beautiful when seenâ€”than the &#8216;monkey room,&#8217; one of thre... <a href='http://1920-30.com/blog/renee-prahar-sculptor-1922-article/' rel="nofollow">continued here</a></p>]]></description>
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